My God/Goddess Complex

Sunday, March 13, 2005


I watched the Disney movie, Hercules, yesterday. I enjoy the movie; in fact, I enjoy most Disney movies. But, too often my enjoyment is decreased by my annoyance at how much they differ from their originals. So, characteristically, my movie watching was peppered with much harrumphing over how far Disney diverged from mythology in order to pacify our monogamy loving society. (Of course, the only company I had in my movie watching was my one year old and he was, predictably, unmoved by my rant.)

It was frustrating, though. Zeus professed his love for Hercules repeatedly and was shown cuddling Hera to him as if they were a happy married couple. Apparently philandering, jealousy, and pettiness are a little more than the Disney movie, rated-G audience could tolerate. I’d imagine most parents wouldn’t wish to deal with the resultant questions from the real myths - “Mama, did Zeus really pretend to be Alcmene’s husband in order to have sex with her so she could have his son, Hercules?”

I find all this so upsetting because there is value to the morals (or lack thereof) and themes in mythology. One of the things I like most about the Greek myths is that the majority of the gods have complete disregard for the struggles of the humans their actions affect. For example, as referenced above, Zeus visits Alcmene, Hercules’ mortal mother, while her husband is away disguised as her husband. Upon discovering that Zeus got this chick pregnant, his wife, Hera, in a jealous fit, decides to make Hercules’ birth difficult by delaying his delivery and making the poor girl suffer through a long, life-threatening ordeal.
Why wasn’t she pissed at Zeus, I ask? Why weren’t his clothes, bowling trophies, and electronic equipment strewn along the side of Mt. Olympus? Instead of taking her anger out on the real cause, she goes off and harasses Alcmene who was just as much deceived in the whole mess as Hera was.

Well, because like so many myths, this story teaches us wee mortals that sometimes life isn’t fair and we just have to power through and suck it up. In myths, it is usually the character who continues to struggle and persevere in the face of great odds that is rewarded by the gods.

Now, you ask, what does this horrible flashback to high school English have to do with romance writing?

Well, we as the writers are the gods.

Oh, I’m not propagating philandering, jealousy, or other such pettiness and wrong-doing. I’m saying we have to have complete disregard for our characters feelings. We have to make their lives miserable and drag them through ordeal after ordeal. Because at the end, if they keep struggling against all the obstacles we horribly put in front of them, they will be deserving of the happily ever after we have planned.

I’m about to write the first of a few big black moments in my WIP. It’s where my hero discovers that my heroine has been hiding the fact that she’s a witch. Not so bad, except that he finds out because she uses magic to save them from a fire that begins while they are occupied in a rather compromising situation, after which they are discovered in a state of dishabille. So, now he’s going to be forced to marry a girl who’s lied to him for weeks, who is different from everyone else, and who has made no effort to hide her need for a wealthy husband. And, well, she loves him and now he has a bunch of reasons to distrust her.

In a nod to my more “let’s all just get along” tendencies, I’m balking. It’s going to be sad and heart-wrenching and I’m probably going to cry. And, I’ll feel stupid, I think, because they are just fake people.

But, I have to be their god and make them earn their HEA.

I’m hardening my heart, people… and preparing to rip theirs out.

Have you written any of these black moment scenes? If so, what advice do you have in the execution of character torture? Any ways to make it less painful? Or, if that doesn’t strike your fancy, how about Disney movies. What are your favorites and am I the only one who rages against misrepresentation of original stories?

My God/Goddess Complex



I watched the Disney movie, Hercules, yesterday. I enjoy the movie; in fact, I enjoy most Disney movies. But, too often my enjoyment is lessened by my annoyance at how much they differ from their originals. So, characteristically, my movie watching was peppered with much harrumphing over how far Disney diverged from mythology in order to pacify our monogamy loving society. (Of course, the only company I had in my movie watching was my one year old and he was, predictably, unmoved by my rant.)

It was frustrating, though. Zeus professed his love for Hercules repeatedly and was shown cuddling Hera to him as if they were a happy married couple. Apparently philandering, jealousy, and pettiness are a little more than the Disney movie, rated-G audience could tolerate. I’d imagine most parents wouldn’t wish to deal with the resultant questions from the real myths - “Mama, did Zeus really pretend to be Alcmene’s husband in order to have sex with her so she could have his son, Hercules?”

I find all this so upsetting because there is value to the morals (or lack thereof) and themes in mythology. One of the things I like most about the Greek myths is that the majority of the gods have complete disregard for the struggles of the humans their actions affect. For example, as referenced above, Zeus visits Alcmene, Hercules’ mortal mother, while her husband is away and disguises himself as her husband. Upon discovering that Zeus got this chick pregnant, his wife, Hera, in a jealous fit, decides to make Hercules’ birth difficult by delaying his delivery and making the poor girl suffer through a long, life-threatening ordeal.

Why wasn’t she pissed at Zeus, I ask? Why weren’t his clothes, bowling trophies, and electronic equipment strewn along the side of Mt. Olympus? Instead of taking her anger out on the real cause, she goes off and harasses Alcmene who was just as much deceived in the whole mess as Hera was.


Because like so many myths, this story teaches us wee mortals that sometimes life isn’t fair and we just have to power through and suck it up.


In myths, it is usually the character who continues to struggle and persevere in the face of great odds that is rewarded by the gods.



Now, you ask, what does this horrible flashback to high school English have to do with romance writing?



Well, we as the writers are the gods.



Oh, I’m not propagating philandering, jealousy, or other such pettiness and wrong-doing. I’m saying we have to have complete disregard for our characters feelings. We have to make their lives miserable and drag them through ordeal after ordeal. Because at the end, if they keep struggling against all the obstacles we horribly put in front of them, they will be deserving of the happily ever after we have planned.



I’m about to write the first of a few big black moments in my WIP. It’s where my hero discovers that my heroine has been hiding the fact that she’s a witch. Not so bad, except that he finds out because she uses magic to save them from a fire that begins while they are occupied in a rather compromising situation, after which they are discovered in a state of dishabille. So, now he’s going to be forced to marry a girl who’s lied to him for weeks, who is different from everyone else, and who has made no effort to hide her need for a wealthy husband. And, well, she loves him and now he has a bunch of reasons to distrust her.



In a nod to my more “let’s all just get along” tendencies, I’m balking. It’s going to be sad and heart-wrenching and I’m probably going to cry. And, I’ll feel stupid, I think, because they are just fake people.


But, I have to be their god and make them earn their HEA.

I’m hardening my heart, people… and preparing to rip theirs out.

Have you written any of these black moment scenes? If so, what advice do you have in the execution of character torture? Any ways to make it less painful? Or, if that doesn’t strike your fancy, how about Disney movies. What are your favorites and am I the only one who rages against misrepresentation of original stories?