We've Sailed!

Come find us aboard our brand new spanking ship, drinking rum and dodging the Coast Guard.

The Power of Praise

From an early age I was taught to show respect, and gratitude to others. I learned to treat others as I wanted to be treated. As a reader I can’t help but feel gratitude toward some of my favorite authors. They inspire me and provide me with hours of gratified reading. I call my favorite authors the Dream Team. I make a point to buy their books as soon as they are released, and if I haven’t met them, I’ve sent them an email expressing my appreciation for their work. It doesn’t disappointment me if I never receive a response, as long as I am able to express my awe at their talent, I feel fulfilled.

I believe that no matter how successful you become, you always benefit from praise.

The praise I have received in the past is what drives me to become something more. In my writing life, praise is what fuels my confidence. The first time I posted a chapter of fan fiction no one left me a review. I took it as an indication that it was bad, and in hindsight I know it lacked grammatical skill. I’ve received good and bad reviews, and some of the better ones I can still recite. What made me believe in myself as a writer was a review left by one of my fellow pirates. I admire everything that she writes, and in praising me, she gave me what I craved the most-validation. It’s wonderful to receive praise from family and friends, but when a fellow writer gives you kudos it means something. It gives you the confidence to persevere.

In times when my confidence is at a low point I pick up a book by a favorite author and find inspiration within the pages. All authors have a launching point. Every writer’s success begins with a story. I may not have the talent of the authors on my Dream Team, but I have the same opportunities. With hard work and determination I can accomplish my dreams. Although a writer benefits from praise from a peer, their sustaining confidence comes from within. It’s the kind of confidence that kicks in at 2AM when you’re all alone and struggling to find the right words.

“Can’t never does anything.”

I’ve heard that phrase all my life, and it holds much truth. In our writing lives, can’t should be erased from our vocabulary. Yesterday, Marnee blogged about writing historical romance. I’ve often said I don’t have the voice to write a historical romance. In hindsight I should say I could if I had the desire. It’s a common occurrence to avoid things that are the most difficult to attempt. As writers we know our strengths and weaknesses. We obviously choose to write the type of romance we feel we express well. I often forget that some of the best stories I’ve written I considered out of my comfort zone. Once again the key to expression is confidence.

If we believe we achieve.

What fuels your confidence? Do you believe praise is an important component to a writer’s determination, or do you believe confidence is more effective when it comes from within? Do you ever voice praise to your favorite authors?

Passing the Historical Test

I’m the only historical writing pirate on this boat, so I thought perhaps it was time I stop shirking my duties and start representing (er, representin’?) with some historical appropriate bloggage. One of our lovely wenches, Kelly Krysten, blogged on her personal blog this week about historical historicals and how much accuracy is really necessary for a historical to pass the “historical” test. That got me thinking about why there has to be a historical test in the first place.

*Gunner Marnee clears her throat and attempts to look sheepish*. So far, despite the fact that I am writing a Regency novel and I have done some research, I haven’t been killing myself with research or gotten myself all twisted up over it.

*The Captain sashays to her feet, searching for an empty rum bottle to throw at her gunner. Finding all of the bottles still have some rum left in them, she settles for placing her hands on her hips and scowling fiercely*. Not stressing about research?! What sort of half-ass approach to writing are you pulling around here?

*Her gunner gives a cheeky grin*. I’m a PIRATE. I’m relying on wit and sass.

*The crew grumbles a bit, but can’t find any fault to GM’s logic. They fall silent as the gunner continues.*

Personally, I think it’s more important right now to focus on just spitting my story out. I assume that I’ll start pulling it apart for historical inaccuracies later. But in first draft, I am just focusing on writing my characters and plot. I’ll deal with the colors of petticoats, fabric types for nightgowns, and all that other craziness later.

To continue my historical writing confessions, I have to say that my heroine and hero tend more towards the post-modern than what would have been appropriate back then. I know we’ve chatted before about historical heroines feeling too contemporary, as if they spent a healthy amount of time burning their bras and reading Gloria Steinem or Betty Friedan. That bothers

some, but to be perfectly honest, I prefer it.

*The Captain does grab the nearest rum bottle now, without regard to the inch of liquid still left in it. The Boatswain hurries forward to pacify her in her ire but more likely attempting to save the booze. Sin and Lissa watch the proceedings as if such occurrences happen aboard the RWR all the time. (They do, you say?) Gunner scurries behind a nearby cannon, ducking before she continues.*

In fact, the things I love about novels set in the historical settings are things that have primarily been made up by romance authors. They are the lovely character types historical novel readers have grown to love. But, the reformed rake, the bluestocking who finds someone to love her for her mind, and the governess who gets the lord all feel like the stuff of fantasy. From what I know of history, these sorts of things didn’t happen in reality. At least they didn’t happen often.

The women and men of those time periods would have made the women I know get out their “slap some sense into these people” sticks. I did a report in grad school about medical care (or lack thereof) for women and it made my feminist sensibilities howl in protest. Feisty women who attempted to rebel could easily find their ways into insane asylums. Women were not permitted their own property. Nothing about that is romantic to me.

My heroine’s a witch and she has magical powers. She hardly seems the sort to let anyone push her around.

With all of this said, you might be wondering why I bother writing in a historical setting at all.

For one, I like the tension inherent in male/female relationships back then. If people were caught in compromising situations, they had to get married. Unmarried sex was more risky without the advances we have today in birth control. In contemporary novels, the stakes don’t feel as high to me and the situations don’t feel as dire.

I also like that I’ll never REALLY know what it was like back then. It lets me make parts of it up, though admittedly not all. In order to give historical romances their historical flare I admit that there needs to be enough accuracy to convince the reader that it could have happened. But, I’m not convinced it has to be completely authentic. Leave out the excrement floating in the streets, please.

But, because my characters are destined to have a contemporary feel (as I would argue most historical heroes and heroines do in recent historicals because of authorial bias), I approach my writing more as if I’m writing fantasy and that historical detail needs only to give it authenticity.

In the end, I hope my characters keep my readers reading and that said readers don’t even

notice they are missing out on all the historic details.

What do you think about historical details in novels? Do you think they should be as authentic as possible or are the post-modern historicals ok by you? If you write historical, why and why not some other genre? If you don’t write historical, how comes why not?

P.S. I was looking for test images and this is the best I could do. Don't be a hater.

All by Myself

*singing*

I can hear y’all groaning! Yeesh, whining pirates. I’ll stop now.

Sometimes I don’t know what to talk about. I know you readers have a hard time believing that based off the tangents I start in comments. But it’s true. I may be able to tangent like nobody’s business, but when it comes to a topic, forgetaboutit. *in my whiny redneck voice*

So, when I was running on the treadmill, listening to my best friend prattle on and on about her latest disaster, I realized there are some things that are just a solo project. Much like writing.

To me, writing is a pure solo sport. You can argue that it takes love and support from your friends and family to get through the rough times; but really it’s you—yourself-- who puts the words down on paper. During crisis times, you are the only one who can take the words running in jumbles and make them flow like water on a page. You’re the only one who knows the plot. Storyline. Characters. Ending… You know all of this by heart.

When times are tough you rely on yourself to pull through. To keep going. To put one finger in front of the other and snap out of it. You stay up late. You debate with your gut instinct to slash and start over. You rewrite scenes until dawn. You run over line of dialogue in front of the mirror. (And if you’re me, you literally take it outside and run over it, while screaming at the top of your lungs.) No matter how much you talk about it to someone else, they will never get it. They don’t see the story as you do. Until it’s on paper, something tangible for them to see and hold, they don’t see it unfolding as you do.

Believing in yourself is a number one priority for a writer. Because if you don’t believe in yourself, who will? Your ability to convey emotion. Your talent to make the written word come to life in front of your reader’s eyes is all on you. No one else can make you do that. It comes from deep within. And if the belief isn’t there, your words will never flow quite right. The imagery will be stilted. The dialogue stiff. The storyline dull.

Your story relies on you to tell it. You believing in your abilities makes that happen. You could have thousands of people believing in you and still not believe in yourself.

Fate plays a part in this. If you are destined for something, whether you believe or not, it happens. It’s up to you to make it a positive or negative thing. Writing is all about being positive. You’re writing for a reason. A purpose. Whether it be for yourself or to tell a story. Or for the readers you’ll eventually have. Everything has a purpose. And I think I’m just now starting to realize this.

I don’t believe in myself. It’s just my number one rule. If I become complacent with my abilities, I slack off. So for that, I tell myself I suck at it all and work twice as hard. I’ve done it all my life. And with writing, it’s no different. I always challenge myself to go one extra step more. Write another thousand words before bed. Take a scene just one step wilder. Nothing is good enough and I have to strive to do better. But eventually I’ll have to believe in myself. Eventually I’ll have to let go, not to become complacent, but to accept what may come. Whether that be publishing or be just writing for enjoyment of the moment. Writing to me is like letting my soul fly. It gives me a chance to be calm, quiet, myself. And there is nothing more rewarding than that.

At the moment, that is.

So what is the one thing you could change about your writing self? What is the one thing you consider to be your excelling point? Writing, plotting, procrastinating, dialogue. And how much stock do you put into your own abilities?

And thanks for Eileen Cook for boarding the ship yesterday and giving that wonderful interview! If you didn't have a chance to stop by yesterday and give it a read, I HIGHLY suggest it!

Ahoy, Avast: Eileen Cook Boards the RWR!

Pirates and 'Lubbers, it is my very pleasure to introduce you to Eileen Cook, author of: Unpredictable. Please sail to your nearest Amazon and purchase this witty, fun story about...well...me. At least, it felt like she was writing about me. If I had an ex-boyfriend and I was stealing half of all his socks, that is, and I met this adorable, helpful Scottish professor who...

Well, you'll just have to read it. In the meantime, as you're waiting for Amazon to process your order, do read this interview. You don't want to miss this book...or this author:

Hellion: I adore your writing voice. I was immediately pulled into the story by the voice of your heroine. Does writing humor come naturally to you, or has it taken a while for your writing voice to sound as natural as it does (i.e. how many manuscripts are hidden under your bed right now)? What techniques would you recommend for honing your humorous voice?

Eileen: I adore you for saying you adore me! Love fest! I come from a funny family - and I do mean that in both the "ha ha" type of way as well as the "peculiar" kind of way. Humor is something that I've always defaulted to, it's perfect for hiding insecurities- no one notices that you're freaking out if they are laughing. The first draft of Unpredictable was a mystery. A really bad mystery. I noticed a few of my early readers wrote in the margin "well- the funny parts are good." It was then I decided to give up fighting it and write a funny book, before that I kept trying to put on other voices that weren't mine. I love to read and I read all kinds of things. I wanted to write like many of the writers I admired instead of admitting that I wrote best when I wrote like myself.

I have two full length manuscripts that should never see the light of day and many more that are partials of various ideas that sounded GREAT in the planning stage- but didn't pan out nearly so well in the execution. Part of the secret is not seeing these as failures- but part of the journey to finding your own way.

Hellion: Do you write organically or are you more a plotter? How did you keep the pacing so tight?

Eileen: I have huge plotter envy. I want to be a plotter- I buy all kinds of office supplies (ooh binders! color tabs! index cards in rainbow colors!!!) with the idea of being a very organized writer. Tragically, this never works for me, on the upside if there is ever a world wide stationary shortage I am completely prepared. When I write I start out with a premise, a main character, and a general idea of how I want the book to end. Once I have those things I dive in and start writing. The benefit of writing organically is that I enjoy having the story surprise me, on the the downside I spend a lot of time looking at the computer monitor thinking "how the heck did I get myself into this situation?"

Hellion: I swear we were separated at birth. Except all my office supplies have pictures of Jack Sparrow on them. I like to multi-task my obsessions. And coincidentally, my organization skills go awry. I'm sorry, I interrupted...writing systems...you were saying....

Eileen: *grins understandingly* One thing I've enjoyed on this path to publication is meeting other writers. Every writer has their own system. The one that really struck me was John Irving who likes to write his books backwards starting with the last chapter. This would completely screw me up. I'm much more linear. The fact that everyone does it differently be frustrating for people who want to know "how to do it" so they can copy your system, but in the end the good news is that there is no right way- just the right way for you as the writer.

Hellion: Sin and Lisa will be so thrilled to hear you say that. Of course, they've been skipping around the ship for days saying, "I told you so" to our Boatswain. They swear they have their own system, but even they don't know what it is most of the time. *consults her list of questions again* Did you intentionally leave out Sagittarius from all the horoscopes? And if so, why did you? (Are you a Sagittarius?)

Eileen: This is a funny story. (or maybe it is one of those things that seems funny only to me) In the manuscript all the signs were present- including Sagittarius. Somewhere in the publishing process the Sags were dropped. I didn't notice it, the editor didn't notice it even the copy editor didn't notice it. Once it went to the printer the very first person who read an advance copy called me to point out there was no Sagittarius. She was a Sag. I've now heard from about half a dozen people about the error. They're all Sags. I believe there is a rumor that I am a Sag hater. This is not true- who wouldn't like people born under the sign of the archer?

Hellion: I'm not a Sag. I'm just a Pisces...but I did wonder if was on purpose. *LOL* Or if you were a Sag. Incidentally I'd like to be a sign attributed with archers rather than fish. But that's neither here nor there.

Terri: Yet you're still talking about it as if it were.

Hellion: *ignoring Terr, makes a check on her question list* Are you more a skeptic or a believer?

Eileen: My believer/skeptic status depends on what we're discussing! (How's that for a dodgy answer?) In terms of psychics- I love the idea of it being true, but I haven't seen anything that has convinced me personally. Sometimes I think people are seeking out something magical and other-worldly and miss the real magic in our lives- the feeling of being in love, the taste of good chocolate, and finding a killer pair of shoes- in your size- on sale.

Hellion: Oh, I so understand that! I found the cutest pair of Candies' shoes at Kohl's last month. Adorable! *holds out her foot and shows off the three-inch heeled shoes* On sale...and right next to the gym shoes (on sale) I needed. It was like fate. *refocusing with some difficulty, crossing legs and smiling* What are you working on now? When will it be available?

Eileen: I am working on a young adult novel currently called What Would Alice Do? that will be out in January 2009. We may change the title as the publisher has a few other titles with Alice in them (and here I thought I was so clever.) This story is a retelling of the Crucible set in a modern Christian high school in Indiana. I've had a ton of fun writing YA as it allows me to tap into my high school traumas. I have material to spare. I refuse however to attach any photos of my high school self as clearly I had some channeling Molly Ringwald issues going on. I remember thinking I looked GREAT- but photographic evidence seems to imply otherwise.

Hellion: (I love the What Would Alice Do? title--that's funny! Ah, puns; it's like crack to English majors. Can't resist them. Not for love or money.) What is your favorite thing about the new book you're working on? (Why will we fall in love with it?)

Eileen: I believe it's another funny book (at least I cracked myself up). The main character, Alice, has to question what she will give up to be the kind of person that she wants to be. I love characters who are struggling with morally ambiguous situations. I'm a nice person in real life, but in fiction I really enjoy turning up the heat under other people. I'm in the editing process now and my editor at Simon Schuster has been amazing to work with- it's made me fall in love with the story all over again. I can't wait to see it in print.

Hellion: Are you doing any local signings? (Clearly you just came off a trip to my "neck of the woods"—well, within 8 hours at any rate…so how about: ) Will you be at RWA conference this year?

Eileen: I did a tour through the mid-west (Michigan, Indiana and Illinois) as that is where I grew up and had enough family that I was reasonably assured enough people would turn up so that I wouldn't look like a loser. I have a few more things planned for here in my local area and down into Seattle. I'm speaking at the RWA conference in New England in April- and I wouldn't miss this year's RWA in San Fran. Let's all get together!

Hellion: Eileen's buying the first round of rum! *crew cheers* What single most important piece of writing advice would you pass on to us struggling pirates?

Eileen: I believe it is important to enjoy the process of writing, of spinning stories. I don't mean that there aren't bad days- but that overall you should like to write. When I talk to people who describe writing as if every word causes them to bleed I think they should take up something else- knitting for example. There are so many ups and downs in this business- that if you don't like the writing I have no idea why someone would continue. At least if you knit you end up with sweater. No one sends a rejection letter if you mail them a sweater. " Dear Knitter- Thanks for your sweater submission. Unfortunately it doesn't meet our needs at this time....." A writer friend told me "writing is a craft, publishing is a casino." You have control over the writing- how much you do, how you improve, the stories you write. Focus on that- because if you try and figure out publishing you'll go wacky. The business is subjective and random at times. If you keep the focus on what you can control it makes for a happier person.

Hellion: *laughing* I'm an even worse knitter than I am a writer, and I do enjoy writing more than knitting, all criticism aside. I guess I picked the right hobby. How did you get published? (Were you a literal overnight success, or were you more the 10-year overnight success? What steps did you take? Which would you recommend; what things did you do that you wish you could go back in time and erase again? Other than good grammar—since for all appearances, it doesn't seem like I have it.)

Eileen: I know it isn't mature, but people who tell overnight success stories make me stick my tongue out at them when they turn their back. I have written for years. My parents have a story I did in second grade which I titled "George the Sighkyatrist" - spelling wasn't my thing. The teacher wrote at the bottom "I'm sure some day you'll be an author." Little did I know how much rejection would come between that story and hearing the news Unpredictable had sold. When I wrote my first novel I thought it was BRILLIANT. Alas- I was the only one. I then wrote another book, but by this time I knew enough to know it wasn't as great as it needed to be. Unpredictable was my third full length manuscript. My agent (the divine Rachel Vater at Folio Literary Management) was my top choice agent and the first one I queried. When she signed me I thought I had it made- but it took more time to find a home for Unpredictable.

When I first started writing I told myself I would be happy if I could just finish a full length novel. Then I said I would be happy if I could get an agent. Then I decided if I had a book deal I would be happy. Then I was sure having film rights optioned would do it. Now I'm on to obsessing about sales numbers and the second book. What I would advise people starting out is that publication is a journey not a destination. The people I've met that are huge New York Time's best sellers still worry about the next book or sales. You can compare yourself to other writers (even those overnight people who sign huge "significant deals" and have Oprah on speed dial), but it will only drive you crazy. I try and focus on improving myself and hope the rest of it will fall into place.

Hellion: My yoga teacher would adore you. She tells me this every week--and she doesn't even know I write. (I swear yoga is in everything!) *pushes Sin off balance, who's assumed a downward facing dog position, showing off* Oh, that felt good. A couple more questions...What authors have inspired your work? (I'm going to guess Jennifer Cruisie, but that's just me. *grins, pointing at Jennifer Cruisie quote on front cover of Unpredictable*)

Eileen: Why how did you guess Jennifer Crusie? She impresses me with how well crafted her work is and how supportive she is of new writers. I am a huge reader and love everything from non fiction to mystery to chick lit to historicals. There is the very real chance that I will die crushed by a stack of books. I can think of worse ways to go. It's hard to narrow the list of who inspired me, but certainly I've enjoyed Emily Giffin, Sophie Kinsella, John Irving, Jen Lancaster and a few zillion more.

Hellion: Last question--and the most important: Does Nick McKenna exist? If so, can you give him my phone number?

Eileen: Nick is composed of a couple different people and my very active imagination. Alas both of the real people are married- one of them to me- and I have a strict no sharing rule. : )

Hellion: What a surprise! I finally find a guy worth pursuing and he's taken! Oh, well, I guess it's still sock-stealing and obsessing for me. I should stick with my strengths at any rate. Thank you, Eileen, for interviewing with us today. You have been a wonderful--and now I'm going to turn it over to the crew for their questions and comments...

How many of you read your horoscope? (How often have you noticed it's come true? I think in all my years it's come true once, but it was a horoscope I read the day after the event. I doubt that counts.) Has anybody else read Unpredictable? What's the craziest thing you've ever done to win a guy back--and did it work?

Contest Winners from Pamela Clare's blog on Wednesday!!

I love presents!!

I love to give them away even more (even if they are from someone else and in this case, I'm honored to do it for Pamela Clare!)

Now, without futher ado, I give to you the contest winners. May I have the envelope please?

*Pirate Wenches roll their eyes at the sight of Sin playing make believe again*

"There she goes again," Hellion said. "I tried to have her committed. But even they said they couldn't do anything for her."

Lisa, Marnee, and Ter all shook their head sadly.

Hellion sighed and sauntered over to Sin, flicking her red hair behind her shoulder before handing her a pretend envelope.

Sin cleared her throat as she cracked open the golden seal of the pirates. "And the winners are..."

T-Lee from Australia *crowd going wild*
Stef from France *men begging for a phone number*
Janga *English Lords falling all over themselves*
and last but not least, Kelly Krysten *RWR crew members drooling all over her*

I knew those RWR crew members were NOT to be trusted! Men! Ha!

Congrats!!! You've won an awesome prize! Pamela Clare will be sending you one of her wonderful books in the mail! Please send your snail mail address to me at magnificentsin @aol.com (without the space, if you would).

Thanks so much for making Wednesday an awesome day with Pamela Clare!

The Magic of Attraction

Romance starts with the spark of attraction, it doesn’t necessarily have to be physical, but in most situations, physical chemistry pulls two individuals together. Lust can be the first connection between lovers, but other attributes cause a lasting bond between individuals. Some of the strongest relationships I’ve witnessed between two individuals had nothing to do with physical appearance, but everything to do with internal connection.

As writers, we develop heroes and heroines, and most of the time they are attractive, desirable individuals. We surround them with a major conflict that continually drives them further apart, but we weave enough physical and emotional attraction onto the equation to keep the heat turned up, and the lust turned on.

Have you ever read a book or watched a movie in which the attraction between the hero and heroine just didn’t work?

I read an article on Yahoo naming the most mismatched movie couples of all time. I had to give the number one choice a definite thumbs up. It was Nick Nolte and Julia Roberts in I Love Trouble. Personally, Nick Nolte has never been on my top ten list of the sexiest actors alive. He is a great actor, but I saw this movie and I have to agree, the pairing between him and Julia just didn’t work. The love scenes between them were awkward at best. Another honorable mention was Harrison Ford and Anne Heche in Six Days, Seven Nights. I admit I didn’t see the movie, but at the time, Anne was dating Ellen Degeneres. It’s hard to believe Anne was into Harrison with Ellen waiting at home every night. Even with the best acting skills in the world, it’s a daunting task to fake physical chemistry.

Most of the books I’ve read over the years had very well written heroes and heroines that were perfect matches. Have you ever stopped reading a book because you just couldn’t picture the hero and heroine together in your mind? *cue Hellion Scandal in Spring rant*

I know everyone tires of my examples of the Stephanie Plum series, but Joe and Stephanie come to mind. They have physical attraction going for them and on a certain level, they love one another, but Ranger is the elephant in the middle of the room. He’s always going to be in the picture, and even if he doesn’t appear to be relationship material, I think he’s the rabbit in the hat. It makes sense to end the series with Ranger and Stephanie together. It’s not predictable, and it brings the series full circle in my opinion.

Just as Janet created Ranger and Stephanie to compliment one another we strive to do the same. It’s pertinent to show a sizzling physical attraction between two characters, but the difficult part is weaving in subtle likenesses that the couple share. It can be anything from a love of sports, to the thrill of chasing a cold-blooded killer. The initial attraction brings them together, but emotional ties have to be established in order to make them a believable match.

This week I read Sugar Daddy by Lisa Kleypas. In the beginning of this novel Liberty Jones meets Hardy Cates when they are teenagers. They came from the wrong side of the tracks, and Lisa paints a heartfelt attraction between them. Her description of Liberty’s anguish when Hardy leaves town for greener pastures is heart wrenching. At this point in the book I believe Hardy will be brought back for the HEA. After an unexpected second black moment Liberty leaves town too. Enter stage left an older man, which I thought was the focus of the book. The title Sugar Daddy conjures the image of an older rich man seeking a younger woman for companionship. I was disenchanted to say the least, I was in love with Hardy and pulling strong for a reunion. Then along comes Sugar Daddy’s son, Gage. He seemed attractive but pompous. I thought, she’ll never make me believe they belong together. Liberty starts a relationship with Gage, Lisa weaves magic with words like the master she is, and by the time Hardy shows up, I’m thinking Hardy who?

Not since Plum have I read a book that the characters made such an impact on me. I’m counting the days until the release of Blue Eyed Devil, which is the story of Hardy Cates, and includes some of the same characters from Sugar Daddy. Lisa Kleypas usually manages to enthrall me every time, but this time she blew me away. I bought Sugar Daddy over three weeks ago, and glanced at it a million times in my TBR pile. I hesitated to read it, because I love Lisa’s historical writing voice. It wasn’t that I doubted she could write contemporary romance, I just wasn’t ready for that change in her voice. Oh, how wrong I was to wait, this book is a treasure.

This week in Pamela Clare’s blog, she touched on the subject of changing voices from writing historical to contemporary romance. I have always bowed at the feet of historical romance writers. The voice they maintain in their writing is beyond my ability, but to be able to change between voices and write both flawlessly is astounding to me. This week I read a book by a beloved author who bridged the transition flawlessly, and was an inspiration to me in the process.

Have you ever read a book that inspired you to be the best writer you can possibly be? I have, and in the process, I learned that I’m focusing too much on plot and not enough on characterization. You can’t lose with believable well-written characters. The key of the plot in a romance is conflict, followed with a beautifully executed resolution.

I have the characters, and plot, now I need to get motivated and execute it.

Do you believe the plot or the characters make a book memorable? Have you ever read a book or saw a movie in which the hero and heroine didn’t match? Have you read a book recently that inspired you to be a better writer?